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NNADVOKAT [17]
2 years ago
5

Do you think "' Cause it's colder here inside in silence" is a metaphor? If not, can you let me know what poetic device it match

es? Thank you!
English
1 answer:
Kay [80]2 years ago
7 0

Answer:

colder means lonely you feel empty when your lonely and in an empty room it is cool]

Explanation:

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The effects of the law may depend on where you live at.
Ilya [14]

The usage of at is the error

Explanation:

IN is for large spaces that can enclose (village, city, state, province, country, continent, mountain range, desert, zone, etc.)

ON is for surfaces.( street/avenue/road, most bodies of water, etc)

AT is for points ( We live at an address, at a certain point and at a certain person’s residence if just the possessive case is used to mean the residence.)

Examples:

1- I live in Belgrade.

2-They live on Mulberry Street

3-I live at 199 Main Street

Conclusion: AT is a tiny point, ON is bigger, and IN is big enough to surround you.

3 0
3 years ago
The main difference between an argumentative essay and an explanatory essay is that an explanatory essay:
Pepsi [2]

The correct answer would be B.

8 0
3 years ago
Which answer choice best explains a drawback of print sources?
Bogdan [553]

Answer:

D- A researcher has to be in the same physical location as a print source.

Explanation:

See attachment :)

6 0
2 years ago
Analyze “houses and rooms are full of perfumes”
viktelen [127]

In this section, Whitman breaks out of enclosures, whether they be physical enclosures or mental ones. In one of his early notebooks, Whitman had drafted the line “Literature is full of perfumes,” a recognition that books and philosophies and religions all offer filtered versions of how to view the world. They are all “intoxicating”—alluring, to be sure, but also toxic. We are always tempted to live our lives according to the views of those who came before us, but Whitman urges us to escape such enclosures, open up the senses fully, and breathe the undistilled atmosphere itself. It is in this literal act of breathing that we gain our “inspiration,” the actual breathing in of the world. In this section, Whitman records the physicality of singing, of speaking a poem: a poem, he reminds us, does not derive from the mind or the soul but from the body. Our inspiration comes from our respiration, and the poem is “the smoke of my own breath,” the breathing of the atoms of the air back out into the world again as song. Poems are written, Whitman indicates here, with the lungs and the heart and the hands and the genitals—with the air oxygenating our blood in the lungs and pumping it to our brain and every part of our body. We write (just as we read) with our bodies as much as our minds.

The poet in this section allows the world to be in naked contact with him, until he can feel at one with what before had been separate—the roots and vines now seem part of the same erotic flow that he feels in his own naked body (“love-root, silk-thread, crotch and vine”), and he is aware of contact and exchange, as he breathes the world in only to breathe it back again as an undistilled poem. All the senses are evoked here—smell (“sniff of green leaves”), hearing (“The sound of the belch’d words of my voice”), touch (“A few light kisses”), sight (“The play of shine and shade”), taste (“The smoke of my own breath,” that “smoke” the sign of a newly found fire within).

Now Whitman gently mocks those who feel they have mastered the arts of reading and interpretation. As we read this poem, Whitman wonders if we have “felt so proud to get at the meaning of poems,” and he invites us now to spend a “day and night” with him as we read “Song of Myself,” a poem that does not hide its meanings and require occult hermeneutics to understand it. Rather, he offers up his poem as one that emerges from the undistilled and unfiltered sources of nature, the words “belch’d” (uttered, cried out, violently ejected, bellowed) instead of manicured and shaped. This is a poem, Whitman suggests, that does not want to become a guide or a “creed,” but one that wants to make you experience the world with your own eyes. We take in this poet’s words, and then “filter them” from our selves, just like we do with the atmosphere and all the floating, mingling atoms of the world.

–EF

Can you please mark as brainliest?

6 0
3 years ago
To avoid confusion from a misplaced modifier, a participial phrase should be placed:_____
mario62 [17]

Answer:

C). Next to the noun it describes.

Explanation:

<u>A misplaced modifier is described as the formatting or structural error in which a word or clause is separated or isolated from the noun or pronoun it intends to describe/modify and rather describe an inadvertent word</u> that creates an ambiguous and misleading effect in the sentence.

Thus, such formatting error creates confusion due to the incorrect placement of the participial phrase(that functions to modify a noun or pronoun in the sentence). Therefore, in order to rectify this error of misplaced modifier and avoid such confusion, the participial phrase must be placed 'next to the noun it describes' so that it clarifies which noun or pronoun is being modified by the participial phrase in the sentence. Hence, <u>option C</u> is the correct answer.

3 0
2 years ago
Read 2 more answers
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