Answer:
O B. A painting of a guitar with three necks and five bodies
Explanation:
The Dada art were built on a concept of "anti-art" in this case, they presented images that questioned what art was and its elitist nature. For this reason, the Dada art was presented by grotesque, meaningless, shocking images, with elements that were not related and often portrayed strong criticisms and obscenity.
In this sense, we can consider option B, as the option that shows a possible Dada art piece.
Mannerism is associated with artists such as leonardo da vinci, Raphael, and early michelangelo . it often has exaggerated qualities, making the paintings asymmetrical and elegant. its well known for it's sophistication and artificial qualities.
hope this helped, your question was quiet confusing to figure out what you wanted. xoxo
The correct answer is C. The artist intentionally painted all of Henry VIII features accurately so that the general public would know his superiority and power were real, and not self-made.
The artist wanted to show King Henry VIII as he was - a powerful figure worthy of fear and respect. Therefore, he didn't want to lie about his appearance and features - he wanted to show the general public King Henry VIII in his full glory.
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
It's the second option on plato, The artist carves the design directly in engraving, while in etching it's done by using acid to cut into the plate.