Answer:
An unrealistic distrust of others or a feeling of being persecuted. Extreme degrees may be a sign of mental illness.
Explanation:
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This question seems to be incomplete. However, there is enough information to find the right answer.
Answer:
Both the trees and Esperanza have "skinny necks and pointy elbows", and both don´t belong where they are. The trees should grow in nature, not in a city. Similarly, Esperanza feels like she doesn´t belong in the neighborhood. Furthermore, the resilience of those trees that "grew despite concrete" symbolizes Esperanza´s resilience to persevere notwithstanding the impediments imposed by her being poor.
Explanation:
The question refers to the section Four Skinny Trees from the book “The House on Mango Street,” by Sandra Cisneros.
There, the four trees found in her front yard symbolize Esperanza´s experience of feeling like an outsider and wanting to reach out for something else.
The type of parallel construction which is represented in the verse is synthetic parallelism structures.
What is synthetic parallelism?
The use of parallelism enhances the poem's meter and cadence and is prevalent in many of these poetry volumes. In Hebrew poetry, there are many different kinds of parallelism.
It advances a notion, which is the hallmark of synthetic parallelism. As opposed to synonymous parallelism, which uses synonymous repetition to strengthen a notion, this is not the same thing.
A framework with comparable elements that show a purposeful comparison, contrast, or association is referred to as parallel in poetry. The term "synthetic parallelism" refers to a number of different sorts of structures.
Additionally, to amplify a meaning, synthetic parallelism employs the phrase "better this, than that." Many of the lyrical works that offer wisdom lessons benefit from this format.
Learn more about synthetic parallelism
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