<span>Literature is meant to be read out loud. Poetry and plays are examples. Poetry and plays often come fully alive only when read out loud, even if this means people must read them out loud when alone. In short, to fully appreciate poetry and plays, people should perform them. Plays and other performance arts are discussed in a later chapter. Poetry is discussed in this chapter along with other nonperformance literature such as stories and creative nonfiction because most of these forms of literature primarily are experienced by reading them when one is alone.</span>
Close narrators tend to be more developed.
Every narrative has a different approach, and when a narrator develops closeness with his/her audience it can be assumed that it is a more developed narrator. This is because creating a relationship with your audience takes time, hardwork and trust. And all of these things come with real effort.
The correct answer
here is figuratist audience. The figuratist is a person who is a critical
thinker and uses language in innovative and often witty and colorful way. That
is why this kind of play would appeal to this kind of audience who enjoys word
games and double meanings which induce many comical elements. The comical
effect is often the result of a misunderstanding produced by the double
meanings. The opposite of a figuratist is a literalist who views everything literally.
Answer:
D
Explanation:
If the ending is not foreshadowed, readers will be surprised because there were no former hints leading up to it. The reader may feel confused, as the ending will be out of the blue with no prior explanation. The reader may also feel disappointed or let down as there will be nothing connecting the ending to the previous events of the story.
