Answer: C. to explain why different railroad companies could not build the railroad as per their contract.
I believe the answer is false. hope that helped
Answer:
<em>The speaker compares his heart to an empty nest in order to emphasize the fact that his love has left. The nest is a metaphor for his heart. When he is in love, he is so happy, that he can't contain his joy. ... The speaker is also feeling empty and sad because his love is gone.</em>
The reason why they both have similar moods is because they're both about having control over your own fate and life, and just getting through life.However they both have different endings because "We Real Cool" is about being rebellious and having fun and getting into mischief, and at the end it says: "We Sing sin.We Thin gin.We Jazz June.We Die soon.".While "Invictus" is about no matter what the speaker goes through he will never give in and surrender, which it says at the end of the poem:"I'am the master of my fate; I'am the captain of my soul."
The setting in Melville’s “<em>Bartleby the Scrivener</em>” is a crucial element in the story. The extended title, “<em>A Story of Wall-Street</em>”, provides the specific setting as regards place. At that time, Wall Street had become an important financial center in America. As regards the year of publication, the work was first published in 1953 which was a time of rapid development in American economy.
The story takes place in a law office in Manhattan. The office presents an <u>unfriendly environment</u> that resembles the <u>business-based atmosphere of Wall Street</u>. The space is described as “<em>entirely unhallowed by humanizing domestic associations</em>” (p.36). In that way, the author describes the <u>impersonality of a business society</u>. In this context, the author does not provide the reader with any information about the characters apart from their particular behavior in the office. Also, the word “walls” is repeated many times throughout the story and they refer to the barriers between employer and employee.
