Answer: In both, people fight for their lives. It contributes because The Hobbit and The Hunger Games follow Campbell’s formula for “The Hero’s
Explanation: In the 1940s, the writer and professor, Joseph Campbell, noticed that a lot of his favorite stories shared a similar structure. He wrote about it in his book, The Hero with a Thousand Faces. Today, this story structure is popularly known as “The Hero’s Journey.” Campbell’s Hero’s Journey structure shows up all over literature, no matter the genre. The Hero’s Journey stories are so compelling because we like to see heroic characters overcoming great obstacles; we admire these heroes and hope to be like them.
1- The correct answer is B.
The narrator could not believe what Miguel had said, so he run off to the park to investigate. When he arrived, he realized Miguel was correct: there were no traces of the carnival there: no holes where the spikes had been, no hay scattered about.
2- The correct answer is D.
The narrator's father was astonished because he believed that Miguel and the reporter were wrong. He could not understand how it could be possible for there to be no carnival in the area when he and everyone in town had been to one the night before.
VERBS MAYBE
IDK THO. Sorry if its wrong
Answer and explanation:
The interior story, as the name suggests, is the story within another story. In this passage, the frame story is the speaker, Kevin, receiving a phone call from Matt, a friend he hasn't seen in almost ten years. The frame story is the one that involves the interior story. The interior story begins with the line '"Kevin, come inside!" my mother called.' This line separates the current moment from the moment the speaker is remembering - he and Matt playing outside; Kevin's mother calling him in. There is another story being told now, one about the past. But it is told as if it were happening at this moment. We have, from this moment on, an interior story.
