William Shakespeare's Romeo and Juliet is a tragedy written early in his career about two young Italian star-crossed lovers whose deaths eventually reconcile their divided families.
<h3>Why didn't Romeo and Juliet tell their relatives about their marriage?</h3>
William Shakespeare, the play's playwright, does not dwell on the origins of the animosity between these two respectable families in Verona. It's been going on for a long time, and even the servants are involved. The Montagues and Capulets despise one other and are constantly on the verge of a battle.
The animosity between these two families is the root of all the problems in the drama.
The hatred between them has fueled the feud between Romeo and Tybalt, the servants of both households, and Juliet's internal anguish over the reality of her lover.
Therefore To marry is correct for the first question and The feud between the Capulets and the Montagues is for the second question.
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When Mr. Beuller ignores embarrassing Victor, the boy is somewhat confused by this action. But later, Victor thinks of the teacher as a “good guy”. This action of his tutor boosts him with enormous confidence. The shaky Victor portrayed in the start of the prose fully develops at the end of the story because of the mature behavior of Mr. Beurelle. He is filled with motivational thoughts and optimism which help him get out of the confusion of choosing a new language and doubting his own capability. He also inculcates more confident in speaking with Teressa, at the end.
This proves that if sane behavior and mentality runs through the society, every lazy and unwilling person can be turned up into a workaholic maniac. Everyone requires an individual to guide him/her the path of life, which was very well illustrated through the author’s creation. The thoughtful action by the teacher resulted in Victor choosing three books to learn French that day.
The reason we use monsters in literature then? The role they play? There is no singular one. But I personally believe that we use monsters to take everything we dislike about ourselves as humans, and also all of those animalistic instincts we suppress, and put them into one form. We lock those beings in a cupboard or shove them under our beds so that we never have to look at them. And we take them out when we want to create a story - when we want to speculate from far away and see what happens. In that regard, every piece of artwork ever developed starring a monster and a hero is a constructed, thoroughly planned social experiment.
Answer:
The Answer For this Questions is False Cause
Explanation:
i took the test, it was right for me
