Answer:
C)He blames Penelope's flirtation and fickleness.
Explanation:
Penelope can't help it. She has a want for attention, and that's what she uses the suitors for, but even though she says many things to them, including false promises of love and future, she remains loyal to Odysseus. She doesn't want to marry them, but at the same time, she lets them loose in her house.
Answer:
Academic integrity is: 'the expectation that teachers, students, researchers and all members of the academic community act with: honesty, trust, fairness, respect and responsibility. -from web
Explanation:
The correct answer to this open question is the following.
You did not attach any text or specific reference to cite them in the answer. However, we can comment on the following general terms.
According to Geoffrey Ashe, Arthurian legends become popular because people immediately like to identify with the story of the hero and its quest for victory. Geoffrey Ashe considered that these mystical and heroic stories not only are enjoyed by people but really fascinate them with the permanent quest for justice, trying to accomplish something valuable, confronting enemies, overcoming many adversities, with the permanent relationship with a mystical world that is represented by Merlin, the magician.
People continue to tell them because these stories are applicable even in the modern-day. People love to compare these stories and have them as a reference to be applied to the situations of the present. There is no specific age for these kinds of stories. They are ageless, and the lesson of the stories still impact modern readers.
Answer:
The Ship of State is a famous and oft-cited metaphor put forth by Plato in Book VI of the Republic (488a–489d). It likens the governance of a city-state to the command of a naval vessel and ultimately argues that the only people fit to be captain of this ship (Greek: ναῦς) are philosopher kings, benevolent men with absolute power who have access to the Form of the Good. The origins of the metaphor can be traced back to the lyric poet Alcaeus (frs. 6, 208, 249), and it is found in Sophocles' Antigone and Aeschylus' Seven Against Thebes before Plato.
