Answer:
Build a Strong Positive Self Image
A simple answer to the question, “what do people think about you?” can give you the most appropriate definition of self image. Self image basically means what you portray yourself as. Not only in the terms of your physical appearance but also in terms of the experiences you have had in your life and the lessons that you have learned from them. Even the self image of an individual can be divided in three different types:
The image created by the individual about himself, how he perceives himself to be.
The image created in the minds of people and how they perceive you
And the third image is created by the individual on the basis of what others think of him.
But we cannot overlook the fact that these three kinds of self image are not exactly accurate.
The self image can also be divided into different two types: one is the positive self image and one is the negative self image. Creating the kind of self image that you want to create yourself lies in the amount of confidence that you feel in yourself. If you are a confident person then you will automatically create a positive image of yourself not only in our mind but also in the mind of your peers but if you are not so confident person, then you have to do a lot of work to get to the positive side.
B. they were trades men or merchants of society
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
to know more about Andre Bazin, visit:
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The answer to your question is D.
