<span>It innovates upon the form of the allegorical tale by presenting the story in such a manner that the characters and events not only represent symbols that stand for ideas about human life but it also makes the reader a way to empathize with the main characters. The way the story is told also has a great impact.
<span>I hope this helps, Regards.</span></span><span>
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The italicized noun clause is "what i like best about the farm."
Answer: B) Subject complement.
Explanation: A noun clause is a dependent clause that acts as a noun. Noun clauses begin with words such as how, that, what, whatever, etc. Noun clauses can act as subjects, subject complements, direct objects, indirect objects, predicate nominatives, or objects of a preposition. In the given sentence the noun clause is used as a subject complement because it is placed after a linking verb (to be) and it characterizes (or gives further information) about the subject (The fresh air).
Answer:
Mr. Hundert in Ethan Canin's The Palace Thief actually changes significantly for the worse before he changes for the better at the end of the story.
When we first meet Mr. Hundert, he is a young history teacher at St. Benedict's, still intent upon introducing his students to the “lofty ideals” of the ancients, hoping to inspire the boys as well as “temper their ambition with humility.” However, the high ideals Mr. Hundert holds for himself are shattered when he encounters the stubborn corruption of Sedgewick Bell.
Sedgewick is rude and arrogant, and for a while, Mr. Hundert tries to find a balance between correcting him and encouraging him. Then the annual Mr. Julius Caesar competition approaches, and Mr. Hundert makes his first big mistake. He submits Sedgewick for the competition rather than a better-qualified boy. His motive seems honorable, for he wants to further encourage Sedgewick, but his actions are not fair. Mr. Hundert is beginning to descend from his high ideals.
Explanation:
It is easier because your dont have to see each other like the pressure of you not making a weird face of something.
