Answer:
After Pip met Estella and had become infatuated with her he becomes disgusted with his present situation as an assistant to Joe in his forge. In Ch 13 he is formally apprenticed to Joe and the chapter ends with Pip telling us that he was
"truly wretched and had a strong conviction on me that I should never like Joe's trade. I had liked it once, but once was not now."
He analyses his feelings very carefully and records them in minute detail in the next chapter:
"I had believed in the forge as the glowing road to manhood and independence. Within a single year, all this was changed. Now, it was all coarse and common, and I would not have had Miss Havisham and Estella see it on any account."
Till he was sent to Satis House where he first met and became infatuated with Estella he always looked forward to becoming an apprentice to Joe but after he met Estella he became disgusted with his profession and ashamed of his low social status and in Ch.14 he tells us what he dreaded most:
"What I dreaded was, that in some unlucky hour I being at my grimiest and commonest, should lift up my eyes and see Estella looking in at one of the wooden windows of the forge."
Explanation:
tell me if it helps
B. Cowboys are known as American cultural icons around the world.
Answer:
America has not changed
Explanation:
Hamilton's America displays how everlasting are the hot topics of today's America: immigration, state rights, debt, income inequality and racial relations. These were the same fights that defined Hamilton's time, and are the driving force of Miranda's historical work.
The role that narration plays in history is a central theme of Hamilton, Hamilton's musical and America. The musical invites the public to reflect: "Who lives, who dies, who tells his story?"
<span><span> That any Caplet or Montague to who fight will be punished by death</span></span>
<h2>Walt Whiteman's Rhetoric </h2>
Whitman spoke of the war from a soldier's point of view. Whitman attempted to change the reader's name from one based on inactive and divisive ideas. Those of the ideas are race, class, region, and gender to a flexible character based on the works of the human body.
I explain how this oratorical poetics is the result of a number of factors which includes the kind of characters poetry acted in early nineteenth-century American society, the economics of the publishing trade, the fragmentation of the two-party arrangement, and nineteenth-century rhetorical art, and that a thoughtful examination. The junction of Whitman and these parts shows the construction of this rhetorical poetic.
