Answer:
A: Jefferson also wanted to obtain the port of New Orleans at the mouth of the Mississippi River so farmers could transport their goods.
Delivering a speech in a conversational style from a well-developed and researched outline is termed as <u>extemporaneous speaking.</u>
Extemporaneous speaking refers to the delivery of a carefully prepared speech that has been perfected, spoken informally while using brief notes. And a speaker who reads from a prepared manuscript can be effective when speaking extemporaneously.
Extemporaneous speeches are not read or memorized, so the speaker must be able to "think on their feet," which can be stressful but also foster a high degree of spontaneity and produce a natural, conversational style.
Extemporaneous speeches are more spontaneous because they are almost entirely created in the moment. However, because they demand extensive planning and research, they typically have much greater depth and are therefore typically the preferred approach.
Find more on extemporaneous speaking at : brainly.com/question/15705863
#SPJ4
Answer:
C
Explanation:
After the word started. Started is one action and it should be separated from the next action
Answer:
Death is one of the foremost themes in Dickinson’s poetry. No two poems have exactly the same understanding of death, however. Death is sometimes gentle, sometimes menacing, sometimes simply inevitable. In “I heard a Fly buzz – when I died –,” Dickinson investigates the physical process of dying. In “Because I could not stop for Death –,“ she personifies death, and presents the process of dying as simply the realization that there is eternal life.
In “Behind Me dips – Eternity,” death is the normal state, life is but an interruption. In “My life had stood – a Loaded Gun –,” the existence of death allows for the existence of life. In “Some – Work for Immortality –,” death is the moment where the speaker can cash their check of good behavior for their eternal rewards. All of these varied pictures of death, however, do not truly contradict each other. Death is the ultimate unknowable, and so Dickinson circles around it, painting portraits of each of its many facets, as a way to come as close to knowing it as she can.
