Honestly, I think this is something you would have to answer on your own. If it's not asking you why you think people like to connect film with other aspects of life, then the reasons should be in whatever text or lesson you had to read or listen to because there are so many reasons why people enjoy connecting film and other forms of art to their personal lives. I enjoy looking at connections between films and life simply because I love analyzing an interpreting art. I enjoy finding something I can connect to in a personal level and actually analyzing it piece by piece, learning more about the film, the symbols and themes of the film, and the people behind the film.
Hope I helped,
Darry
P.S.: Not sure if I was much help, but don't hesitate to ask for more help.
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
The correct answer for the question that is being presented above is this one: "They were seeking to express grandeur and the power of the church." The builders of the Gothic cathedrals seek to express through the use of space and light because they were seeking to express grandeur and the power of the church.<span>
</span>
Answer: Parks manage habitat to protect species, especially endangered and threatened species. National seashores like Point Reyes National Seashore set aside beach habitat for endangered nesting shorebirds and limit the activities that can occur there to help protect the birds while they are raising their offspring.
Explanation:
