The author's use of these characters' hallucinations creates tension in the play because the guilt that they have from killing the king earlier in the book. The blood is from the imaginary daggers that Macbeth sees but are not there in front of him.
This is a short modernist fiction that celebrates the life of the imagination, and points to its shortcomings. As a narrator, Woolf was in the habit of thinking aloud and talking to herself, as well as to her imaginary readers. Here she takes the process one stage further by ‘talking’ to her own fictional creations.
She also shows the process of the artistic imagination at work, raising doubts about its own creations, asking questions, and posing alternative interpretations. She even develops lines of narrative then backtracks on them as improbable or cancels them as invalid, mistaken interpretation, or rejects them as inadequate.
In other words, the very erratic process of ratiocination – all the uncertainties, mistakes, hesitations – are reproduced as part of her narrative. She even addresses her own subject, silently, from within the fictional frame, and reflects on fictional creations which ‘die’ because they are rejected as unacceptable:
The best answer would be D, because the other three are not as sophisticated. When writing in an academic voice, you need to use precise words as to sound more scholarly. I hope this helps!
Answer:
what book or other text is this
Explanation:
