do stuff you love to do. If you do stuff you don't like or hate, it will be tough. Then you have to lie to people saying stuff you don't like. It will be hard, and it will last forever if you keep it on the right path.
Answer:
D. Prolonged drought destroyed plant and animal life, leading to famine.
Explanation:
Ancient Egypt was dependent and thrive on the fertile land near the bank of the River Nile. This area was suitable for agriculture due to the annual flooding and receding of the River Nile. They used the flooding as a means of irrigation system for the plants, and during the recession of River Nile, the areas would have been enriched with black silt and minerals suitable for the growing of crops.
However, during the Ptolemaic period when there was a prolonged drought. The natural disaster destroyed plant and animal life, leading to famine.
Answer:
The theory of social Darwinism differs greatly from the work of Andrew Carnegie, since the theory that was used, argued two types of races one cultural and one wild and that by natural selection the second will disappear, while Carnegei dedicated his life to being a philanthropist convinced to help the most disadvantaged, giving economic support to thousands of people and generating aid that the natural selection raised by Darwin does not generate society
Explanation:
The Harlem Renaissance took place at a time when European and white American writers and artists were particularly interested in African American artistic production, in part because of their interest in the “primitive.”<span>Modernist primitivism was a multifaceted phenomenon partly inspired by Freudian psychology, but it tended to extol so-called </span>“primitive”<span> peoples as enjoying a more direct and authentic relationship to the natural world and to simple human feeling than so-called </span>“over-civilized”<span> whites. They therefore were presumed by some to hold the key to the renovation of the arts. Early in the twentieth century, European avant-garde artists including Pablo Picasso (1881</span>–1974) had been inspired in part by African masks to break from earlier representational styles toward abstraction in painting and sculpture. The prestige of these revolutionary experiments caused African American intellectuals to look on African artistic traditions with new appreciation and to imagine new forms of self-representation, a desire reinforced by rising interest in black history. Black History Week, now Black History Month, was first celebrated in 1928 at the instigation of the historian Carter G. Woodson (1875–<span>1950).</span>
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