The Quartering Act of 1765 required the colonies to house British soldiers in barracks provided by the colonies. If the barracks were too small to house all the soldiers, then localities were to accommodate the soldiers in local inns, livery stables, ale houses, victualing houses, and the houses of sellers of wine. Should there still be soldiers without accommodation after all such public houses were filled, the colonies were then required to take, hire and make fit for the reception of his Majesty’s forces, such and so many uninhabited houses, outhouses, barns, or other buildings as shall be necessary.
Answer:
His sailing experience throughout the Mediterranean Sea and the scientific calculations of Marcos Polo and his description of the luxury of China and Japan
Explanation:
Prior to the acceptance of Ferdinand II and Isabella of Spain to finance the Christopher Columbus voyage to the proposed East adventure, Columbus has been working along with various sailors sailing throughout the Mediterranean sea.
He was also influenced by the scientific calculations of Marcos Polo and his description of the luxury of China and Japan. These experiences prepared him to become the “Admiral of the Ocean Seas” by the time his proposal was granted.
Is known as an "electoral college." Hope this helps
which template u havent attached any templates if u do then i can help!!
Art of Mesopotamia has survived in the archaeological record from early hunter-gatherer societies (10th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires. Widely considered to be the cradle of civilization, Mesopotamia brought significant cultural developments, including the oldest examples of writing. The art of Mesopotamia rivalled that of Ancient Egypt as the most grand, sophisticated and elaborate in western Eurasia from the 4th millennium BC until the Persian Achaemenid Empire conquered the region in the 6th century BC. The main emphasis was on various, very durable, forms of sculpture in stone and clay; little painting has survived, but what has suggests that, with some exceptions,[1] painting was mainly used for geometrical and plant-based decorative schemes, though most sculptures were also painted. Cylinder seals have survived in large numbers, many including complex and detailed scenes despite their small size.
Mesopotamian art survives in a number of forms: cylinder seals, relatively small figures in the round, and reliefs of various sizes, including cheap plaques of moulded pottery for the home, some religious and some apparently not.[2] Favourite subjects include deities, alone or with worshippers, and animals in several types of scenes: repeated in rows, single, fighting each other or a human, confronted animals by themselves or flanking a human or god in the Master of Animals motif, or a Tree of Life.[3]
Stone stelae, votive offerings, or ones probably commemorating victories and
sculptureearly signs of urban life in Mesopotamia are associated with an art form named after the Sumerian city of Uruk
