<h2>Hey there! </h2>
<h2>Your answers are:</h2>
<h3><u>Prefixs</u><u> </u><u>of</u><u> </u><u>the</u><u> </u><u>following</u><u> </u><u>words</u><u> </u><u>are</u><u>:</u></h3>
- Bi + weekly = Biweekly. Here prefix is weekly.
- Un + familiar = Unfamiliar. Here prefix is familiar.
- Re + usable = Reusable. Here prefix is usable.
- Pre + view = Preview. Here prefix is view.
- De + regulate = Deregulate. Here prefix is regulate.
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Hope it help you </h2>
what do you want to know about them?
Answer:
best friend
Explanation:
Govinda has come the way of Siddhartha, but on his own — <u><em>not as a disciple or as a follower of Siddhartha. </em></u>
Govinda's attaining the transcendent beatific smile and union with the river of life is, therefore, his own. Most important, he has accomplished this in the only way one can — independently.
In Siddhartha, Govinda is Siddhartha's <u>oldest friend</u>. We meet Govinda in the village of Siddhartha's birth. The story follows both of their attempts to find enlightenment. Initially, the two leave a life of great comfort, working as Brahmin and trying to find enlightenment through rituals.
Characters are inextricably linked to their physical appearance.
Inextricably means "impossible to separate" and it's almost impossible to separate a character from their appearance. Writers use physical appearances to describe characters and help the reader identify and visualize them.
Answer:
1a) They are plays.
2b) Shakespeare wrote using verse. Many of his characters speak in it.
3c) Shakespeare often writes long and complex sentences.
4d) Shakespeare uses a lot of poetic and rhetorical devices.
Explanation:
cont’d from Answers
1a) They are instructions to actors as to what to say in the performance of the play. They are best understood when they are watched, not when they are read.
2b) What this means is that there is a rhythm to their speech and sometimes Shakespeare bends the syntax to fit the rhythm. So, instead of having Richard III say "buried in the deep bosom of the ocean" he has him say "in the deep bosom of the ocean buried," moving the verb to the end of the sentence.
3c) Many people nowadays expect sentences to be short and simple.
4d) They are what make his words sing. But song lyrics and narrative prose these days hardly use these devices.