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scoundrel [369]
3 years ago
11

¿Cual es la diferencia entre lenguaje denotativo y texto poético?

Arts
1 answer:
Reika [66]3 years ago
3 0

Answer:

Existe una sustancial diferencia entre el lenguaje denotativo y el lenguaje utilizado en un texto poético.

El lenguaje denotativo implica un relato directo, explicito y claro de una situación, evento o persona, es decir, es una descripción sin rodeos ni figuraciones, utilizando un lenguaje que describe de forma realista y clara lo que se está diciendo.  

En cambio, el lenguaje utilizado en un texto poético carece de estas características, siendo un idioma mucho mas figurado, adornado con componentes artísticos que, si bien dan al texto una mayor belleza visual y causan deleite en el lector, no son útiles a los fines prácticos, ya que incluso pueden llegar a confundir el mensaje que se quiere dar.

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6.
You can tell what key it is in by the starting note. Therefore, for example the first question is on "D", and it had a flat accidental. Therefore it is a Db (D flat). Now, we can use the circle of fifths
[first attachment]
to help find out where the sharps and flats fall, and since this is a major scale, the pattern is Wholestep Wholestep Halfstep Wholestep Wholestep Wholestep Halfstep (WWHWWWH).

Therefore the pattern is Dflat Eflat F Gflat Aflat Bflat C and Dflat again. You can write there as notes on the scale
[second attachment]

You can do this for the rest of question 6.

∆∆∆

7.
Just choose a key signature from the circle of fifths (an easy one is G) and put that key signature on your staff. Secondly, choose a time signature. The easiest is 4/4. If you're in "G", start in key of "G" and make a simple tune. e.g
[third attachment, scroll right]

for the other tunes, just choose different time signatures and key signatures and switch up the tune.

Hope I helped and good luck!

6 0
3 years ago
ESSAY
Nat2105 [25]

Answer:

There is an old question that has entertained the minds of many thinkers who look to art and wonder whether it is a mirror offering a reflection of life itself. Art has the power to evoke the same emotions, thoughts, moral and ethical controversies, and conflicts that we experience in life. Anyone who has had a personal reaction towards a work of art will be in agreement. What is it then about the essence of art and the essence of life that are so unmistakably different? Is it a possibility that art gives humans the opportunity to experience phenomena that are not accessible in quotidian life? Is art merely an imitation of life as Plato once asserted with such conviction, or is art a freestanding sphere in which humans can learn in exceptional ways? Through the deliberation of such questions the artist can perhaps move closer towards understanding his tremendous capacity to illustrate our existence in a distinct and remarkable way.

The Greek philosopher Plato declared the artist to be “an imitator of images and is very far removed from the truth” (Republic X, 27). Plato was certain that art was nothing but a dangerous and shallow imitation of life that served only to draw humans far away from the Truth. This unique concept of ‘Truth’ refers to the idea that the purest existence of any given thing lies not in the physical manifestation of the thing itself, but rather in its invisible and eternal ‘Form’. Let us take an example of a table vs. The Table. Any given table is a table that has been modeled after the eternal form of The Table. Somewhere in an otherworldly domain, alongside all the other eternal forms of the universe, exists the One and Only Table in all its truth, purity, and Tablehood. The carpenter may look towards but not at the Form of the Table (or else the carpenter would be God and at which point probably no longer a carpenter) in order to produce, or ‘mimic’ a lesser yet sufficient model of The Eternal Table. In a similar way the artist can be compared to the carpenter, only deserving of less respect according to Plato. The artist does not look to the Form of Beauty, say, but rather looks to the physical image or projection of Beauty. This removes him even further from Truth than any other ordinary laborer. The artist is in this way an imitator, and art is a ‘mimesis’ or imitation of the visual display of Eternal Forms such as Beauty. Consequently it is Plato’s persuasion that art as a mere impression of life is detrimental to the inner soul and its understanding of righteous Truths.

Explanation:

is this the type of essay you're looking for?

6 0
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