U.S. immigration law is very complex, and there is much confusion as to how it works. The Immigration and Naturalization Act (INA), the body of law governing current immigration policy, provides for an annual worldwide limit of 675,000 permanent immigrants, with certain exceptions for close family members.
I love this book!
But I am not sure what you mean with your question (it's missing a verb).
But if you're looking for more information: The sense of guilt in this book is often created by other characters, when they're trying to come to terms with some tragedy (such as many characters being blamed for Sophie Mol's death). So in a way, guilt can function as an explanation. But also it's created by the social norms (as when Estha feels guilty because of the Orangedrink man).
Answer:Once you know who your intended audience is and what your purpose is for writing, you can make specific decisions about how to shape your message. No matter what, you want your audience to stick around long enough to read your whole piece. How do you manage this magic trick? Easy. You appeal to them. You get to know what sparks their interest, what makes them curious, and what makes them feel understood. The one and only Aristotle provided us with three ways to appeal to an audience, and they’re called logos, pathos, and ethos. You’ll learn more about each appeal in the discussion below, but the relationship between these three appeals is also often called the rhetorical triangle
Hope this helps! (spent a lot of time on it if you could please give me a brainliest that would be great!
I’d say it’s the rising action. I’m not very sure though, but based on normal high society logic I’d believe it’s the rising action of a plot.
