It keeps the poem moving forward and is often used to soften a rhyme. When a line ends with the rhyme it can sound too 'rhymy'...enjambment helps soften this by keeping the flow so it moves past the rhymed word and the rhyme almost appears to be an internal one. Listen:
<span>Winners must choose </span>
<span>The deaf cannot hear </span>
<span>Drunkards love booze </span>
<span>Muds far from clear </span>
<span>now try, </span>
<span>sometimes we choose </span>
<span>to listen but not hear </span>
<span>the truth found in booze </span>
<span>when our thinking's less clear </span>
<span>Although not a great poetic stanza, the lines are enjambed and flow from line to line keeps the rhymes from sounding so rhymy. </span>
<span>Enjambment can also assist the poet when the rhymed word "is" in the middle of a sentence and the previous sentence's thought ends before the end of a line...for example: </span>
<span>Freighted with hope, </span>
<span>Crimsoned with joy, </span>
<span>We scatter the leaves of our opening rose; </span>
<span>Their widening scope, </span>
<span>Their distant employ, </span>
<span>We never shall know. And the stream as it flows </span>
<span>Sweeps them away.... </span>
<span>The sencond to last line posted shows how the previous line's sentence ended mid-line. The new sentence picks up and the word "flows", which makes the line rhyme with "rose" three lines earlier, goes almost unnoticed. This is an outstanding example of good enjambment. </span>
There should be options along with the question.
I am going to answer based on what I know. The use of hyperlinks is the element that distinguishes hypermedia from linear multimedia.
The excerpt best displays the function of dramatic structure in monster is "I think to get used to this I will have to give up what I think is real and take up something else."
In his journal entries concerning his time in prison, Steve Harmon, the main character in Walter Dean Myers' crime novel Monster, relates the tale from his point of view. Though there is occasionally an omniscient third-person narrator as well, Steve Harmon's voice is used for the most of the narration.
The order or method in which the narration of the story is done/takes place is the narrative structure of any storyline of a story. Character, plot, conflict, place, and resolution are possible inclusions. And in this specific text/novel, Harmon's phrase, "I think to get used to this I will have to give up what I think is real and take up something else," best illustrates the function of the narrative structure.
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<span>It includes authors from various cultures and heritages.</span>
