Answer:
When one oceanic plate subducts under the other, a subduction zone will form. The oceanic plate that subducts will sink back into the mantle, forming a volcanic arc.
Explanation:
Subduction is a process that takes place when two tectonic plates collide, and one plate moves under another and is forced to sink into the mantle.
When two oceanic plates collide one oceanic plate is eventually subducted under the other. Where one plate slides under the other is referred to as the subduction zone. As the subducting plate descends into the mantle where it is being gradually heated a deep ocean trench is formed, and magma formed above the subducting plate slowly rises into the overriding crust and finally to the surface forming a volcanic arc.
For example on number 1 the time signature is 4/4 , that means there has to be 4 beats in between each bar line. They have already put in a half note which is equal to 2 beats. You can either put another half note or two quarter notes.
Remember
Whole Note = 4 beats
Quarter Note = 1 beat
Half Note = 2 beats
Dotted Half Note = 3 beats
Answer:
You can say it is something your dad got ordered for his work
Explanation:
Hope this helps
Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.
Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.
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