Answer:
Feminine culture.
Explanation:
A 'Feminine culture' is described as the culture that promotes a smooth or fluid approach towards the gender roles in the society. Such a culture lays emphasis on a collectivist attitude where both the males and females are incline towards people and nurturing their quality of life which is contrary to the masculine cultures that involves a distinction in roles of men and women.
As per the given description, Ashley would probably be categorized under a 'feminine culture' as she is allowed to live on her own terms and her roles in the society is not different or distinct from the men. She possess the authority to work independently, wear clothes as per her will, and chose her own way to live life. A masculine culture would never promote such a behavior as they are quite clear and assertive in defining the gender roles distinctively.
Answer:
I believe the answer is "Learning how to do things yourself."
Explanation:
When having a support system, will lower your anxiety, improve your mood, and you have access to advice. So, that leaves learning how to do things yourself.
I hope this helps! ;)
If you look at the reasons Tom Robinson suspected Maybella's father of beating her, that should help. Have a look at Tom's story of what happened and all the evidence from his side, including Maybella having bruises on the right side of her face, and her father being left handed, and no medical help was called for even though she was covered in bruises.
I hope this helps a little :)
Answer:
Gloomy and Decay
Explanation:
In this poem, T S Eliot presents disillusion and physical inertia of modern life. The eternal footman is someone who waits while holding the coats of visitors. But this footman may be doom or death and may be the giver may nor return. Hence, the footman snickers, which is a half-suppressed, scornful laugh, rather than a normal laugh since he knows the person whom coat he is holding may not return back as in the case of a visitor who enters a building for entertainment or work.
