Answer:
Explanation:
The growth of agriculture resulted in intensification, which had important consequences for social organization.
Larger groups gave rise to new challenges and required more sophisticated systems of social administration.
Complex societies took the forms of larger agricultural villages, cities, city-states, and states, which shared many features.
Specialized labor gave rise to distinct social classes and enabled creative and innovative developments.
Systems of record-keeping and symbolic expression grew more complex, and many societies had systems of writing.
Answer:
Yes using the vertical Line test you will find it only will touch the line at one point making it a function!
Explanation:
The correct answers are A.) indigo and cochineal, B.) animal hides, C.) silver and gold, and <span>E.) cacao beans and sugarcane
Grapes and olives were historically found in Europe and they were well developed and popular even in ancient times, especially in regions such as Italy and Greece. The other things mentioned were massively imported to Europe by countries such as France or Spain.</span><span />
Answer:
Over time, philosophers like Plato, Aristotle, Socrates and Kant, among others, questioned the meaning of art.[12] Several dialogues in Plato tackle questions about art: Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness (drunkenness, eroticism, and dreaming) in the Phaedrus (265a–c), and yet in the Republic wants to outlaw Homer's great poetic art, and laughter as well. In Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The dialogue Ion suggests that Homer's Iliad functioned in the ancient Greek world as the Bible does today in the modern Christian world: as divinely inspired literary art that can provide moral guidance, if only it can be properly interpreted.[13]
Explanation:
Over time, philosophers like Plato, Aristotle, Socrates and Kant, among others, questioned the meaning of art.[12] Several dialogues in Plato tackle questions about art: Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness (drunkenness, eroticism, and dreaming) in the Phaedrus (265a–c), and yet in the Republic wants to outlaw Homer's great poetic art, and laughter as well. In Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. The dialogue Ion suggests that Homer's Iliad functioned in the ancient Greek world as the Bible does today in the modern Christian world: as divinely inspired literary art that can provide moral guidance, if only it can be properly interpreted.[13]