November 9, 1989 marks the fall of the Berlin Wall in Germany but it was not until October 3, 1990, when East and West Berlin were united after 45 years of division.
It all started in 1945 after the Nazi surrendered to the Allied Four. Through the Potsdam agreement Germany was split into four zones which, at first would be governed by the USA, Great Britain, France and USSR. Their purpose was to run it as a single country, but due to ideological differences, the country was split into West Germany and East Germany. East Germany, being controlled by the Soviets and West Berlin or the free market west. East Germany closed its ties with the West in 1952 and in 1961 built the Wall in the city, preventing East Germans from escaping to West Germany.
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In the Kansas-Nebraska Act, popular sovereignty would decide whether a territory allowed slavery., A belief that ultimate power resides in the people.
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Irrespective of its genuine strategic objectives or its complex historical consequences, the campaign in Palestine during the first world war was seen by the British government as an invaluable exercise in propaganda. Keen to capitalize on the romantic appeal of victory in the Holy Land, British propagandists repeatedly alluded to Richard Coeur de Lion's failure to win Jerusalem, thus generating the widely disseminated image of the 1917-18 Palestine campaign as the 'Last' or the 'New' Crusade. This representation, in turn, with its anti-Moslem overtones, introduced complicated problems for the British propaganda apparatus, to the point (demonstrated here through an array of official documentation, press accounts and popular works) of becoming enmeshed in a hopeless web of contradictory directives. This article argues that the ambiguity underlying the representation of the Palestine campaign in British wartime propaganda was not a coincidence, but rather an inevitable result of the complex, often incompatible, historical and religious images associated with this particular front. By exploring the cultural currency of the Crusading motif and its multiple significations, the article suggests that the almost instinctive evocation of the Crusade in this context exposed inherent faultlines and tensions which normally remained obscured within the self-assured ethos of imperial order. This applied not only to the relationship between Britain and its Moslem subjects abroad, but also to rifts within metropolitan British society, where the resonance of the Crusading theme depended on class position, thus vitiating its projected propagandistic effects even among the British soldiers themselves.
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Answer: Hubert Humphrey was nominated amid protests, the presence of the National Guard, and rioting.