Answer: They are both true but since the other person already said that can you give the other person brainliest?
Explanation: Thx
Answer:
It's the season of foliage in Vermont and you have been asked to Carter an event.
Your client has asked you to conceptualize the event.
What kind of event will you ideally cater for your guests who have come in to enjoy the autumn foliage?
The event I will ideally offer my coming guests to enjoy is and autumn color-related topic cater.
Explanation:
An event carried out in Vermont wil be full of an assorted type of trees, such as maples, oaks and birches, that change foliage at different times, red maples are the first to change foliage, you will see a a line of these through the roadsides and in any moisty zone.
It is needed to be considered for a cater, as its color topic will match the bright earliest foliage change, that the summer season will be pigmented by chlorophyll, used in photosynthesis, giving leaves their assorted green color palet, but as days pass by into an early fall, the darkness prompts leafy plants to slowly decrease photosynthesis to grow no more, and leaves´s other pigments, called carotenoids will reveal yellow, orange, and brown colors and anthocyanins wil produce red and purple colors, also called the "peak" colors.
Answer:
see explanation
Explanation:
The influence of the Mona Lisa on the Renaissance and later times has been enormous, revolutionizing contemporary portrait painting. Not only did the three-quarter pose become the standard, but also Leonardo’s preliminary drawings encouraged other artists to make more and freer studies for their paintings and stimulated connoisseurs to collect those drawings. Through the drawings, his Milanese works were made known to the Florentines. Also, his reputation and stature as an artist and thinker spread to his fellow artists and assured for them a freedom of action and thought similar to his own. One such painter was the young Raphael, who sketched Leonardo’s work in progress and adopted the Mona Lisa format for his portraits; it served as a clear model for his Portrait of Maddalena Doni (c. 1506).
