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kenny6666 [7]
3 years ago
10

How do lines 15-21 act as a flashback? What clues do they give about the rest of the story?

English
2 answers:
weqwewe [10]3 years ago
8 0

Answer:

A flashback is a part of the story is interrupted to show or tell an event that happened at an earlier time.

In the short story, "The Leap," by Louise Erdrich, lines 15-21 act as a flashback because the writer remembers details of a past experience.The first flashback consists of information gleaned from the newspaper story concerning her mother's accident.

makvit [3.9K]3 years ago
6 0

Answer:

Lines 15-21 act as a flashback in that the writer is remembering details of a past experience. The author mentioning a 'needle of hot silver, a thread of fire' alludes to the fire that is described later in the story. The fact that the memories were brought by a 'whiff of smoke' is also a strong indicator that the author had an experience with a fire.

Explanation:

Lines 15-21 act as a flashback in that the writer is remembering details of a past experience. The author mentioning a 'needle of hot silver, a thread of fire' alludes to the fire that is described later in the story. The fact that the memories were brought by a 'whiff of smoke' is also a strong indicator that the author had an experience with a fire.

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THE STORY OF LAYLA AND MAJNUN

By Nizami Ganjavi (1192) also called Layla and Magnun or Leili o Majun is an epic love poem composed in 584 / 1188 by the great Persian poet Nizami Ganjavi. The poem is based on a semi historical and mystical Arabian love story about 7th century Nejdi Bedouin poet Qays ibn Al-Mulawwah and the woman he loves Layla bint Mahdi (also known as Layla al-Aamariya.) It is sometimes referred to as the “Romeo and Juliet” of Iran. Below we have the complete story in English for your enjoyment.

I.

LaylaOnce there lived among the Bedouin in Arabia a great lord, a Sayyid, who ruled over the Banu Amir. No other country flourished like his and Zephyr carried the sweet scent of his glory to the farthest horizons. Success and merit made him a Sultan of the Arabs and his wealth equalled that of Korah.

He had a kind heart for the poor and for them his purse was always open. To strangers he was a generous host and in all his enterprises he succeeded as if good luck were part of him, as the stone is part of the fruit — or so it appeared to be.

Yet, though respected like a caliph, to himself he seemed like a candle, slowly consuming itself without ever spreading quite enough light. The heart of this great man was eaten by one secret sorrow; he, who otherwise possessed everything he desired, had no son.

He had remained childless. What did glory, power and wealth mean to him, if one day they would slip from his hands, without an heir to receive them?

Was the caliph fated to wither, did the branch have to die? If the cypress tree fell, where would the pheasant build his nest?Where would he find happiness? Where shade and refuge?

He only is truly alive, who in his son’s memory survives his own death. Thus the noble man brooded and, the older he grew, the greater became his desire. Yet for many years his alms and prayers were in vain. The full moon which he so eagerly awaited never rose in his sky and the jasmin seed which he sowed would not

germinate.

Still the Sayyid was not content to bow to his fate. For the sake of one wish yet unfulfilled he thought but little of everything else that heaven had granted him. That is how humans are made!

If prayers remain unanswered, do we ever reflect that it may be for our good? We feel sure that we know our needs, yet the future is veiled from our eyes. The thread of our fate ends outside the visible world and what today we mistake for a padlock, keeping us out, we may tomorrow find to be the key that lets us in.

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