Answer:
An emblem of the friendship between the people of France and the U.S. and a sign of their mutual desire for liberty.
Explanation:
A symbol stands for an idea. The Statue of Liberty stands in Upper New York Bay, a universal symbol of freedom. Originally conceived as an emblem of the friendship between the people of France and the U.S. and a sign of their mutual desire for liberty, over the years the Statue has become much more.
P.S: I didn't see any text. So this may not help.
Stitching a seam for the beginners is not an easy task but they have to follow step by step instructions to sew a seam.
<h3>What are the process of sew a seam through a machine?</h3>
First fabric is to be pinned from its edges, facing each other. Then, set the seam allowance.
Put the backstitches on the fabric with 2.5 length. After backstitches, comes forward and start sewing in straight line.
End the backstitches with 1/4 inch away from the edges and iron the fabric which is ready to wear.
Learn more about the sew the seam here:-
brainly.com/question/16627562
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Answer: Do you have a link to the statements??
Explanation:
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
