Answer:
do it your self. this is music, and it's easy. you can do it!
Explanation:
Answer:
Hope this helps! I tried my best!
Explanation:
Violins- Majestic and Gentle
Violas- Warm and Dark
Cellos- Meaningful and Lovely
Double Basses- Low and Smooth
Harps- Angelic and Beautiful
Sear the meat:
<u>Cooking meat such as filet mignon:</u>
- Pat the meat dry with paper towels
- Let sit for 20-30 minutes
- Preheat the oven to 450ºF (230ºC)
- Season liberally with salt and pepper. Cover all sides with seasoning
- Heat up an oven safe pan and keep on high for 5 minutes until scorching hot. Add a tablespoon of oil
- Once you see the oil start to smoke, add the meat to the pan. Do not touch the meat until the crust has formed, about 2-3 minutes.
- Use tongs and flip the steak.
- Start to add some butter, rosemary, and garlic to the pan to create more flavor to the meat.
- Once the butter is completely melted, start spooning it on top of the meat for 2-3 minutes.
- Put the pan in the oven right away and cook:
- 6 minutes - rare
- 7 minutes - medium rare
- 8 minutes - medium
- 9 minutes - medium well
- 10 minutes - well
- Take the pan out of the oven and gently put the meat on a cutting board.
- Leave for 10 minutes before slicing to have a tender steak.
Answer: chords and harmony
Explanation:
Coleman Hawkins used hormonic improvisation or vertical playing to create a name for himself. He brought a unique timbre, heavy dark way of playing with a sense of drama. He made the sax a real instrument and not a joke as sewn by people then.
Just left to my own devices, I would have picked Stretch and/or Squash. The next closest thing (out of those three) is exaggeration. When you read the description of exaggeration, you find that physical characteristics can be exaggerated, but they should resemble some form of reality.
The second one is really a very close call. You could make a case for either secondary action, or follow through. The only one you could eliminate is pose to pose. That is reserved for how the action goes from one pose to another. That is more of a problem in technique than overall plotting. I think I'd pick follow through, because the character has stopped bouncing the ball, but he likely hasn't stopped sweating nor looking at his watch.
Pretty interesting question. You are not going to get asked that every day.
