Answer:
Miss Prism. No married man is ever attractive except to his wife.
Explanation:
The story "The Importance of Being Earnest" is a classic example of comedy of manners. The story presents the picture of Victorian upper class society. The norms prevalent in the society at that time revolved around materialistic nature and superficial attitude. The Victorian society was much indulged in hypocrisy and frivolous nature. The materialistic nature and the norms of the society has been highlighted in the story.
The above line said by Miss Prism is an example of the feature of a comedy of manners. The importance of a husband has been only specified to his wife because of the materialistic support that the husband gives to the wife. The emotional aspect is not touched by this statement.
This question seems to be incomplete. However, there is enough information to find the right answer.
Answer:
Both the trees and Esperanza have "skinny necks and pointy elbows", and both don´t belong where they are. The trees should grow in nature, not in a city. Similarly, Esperanza feels like she doesn´t belong in the neighborhood. Furthermore, the resilience of those trees that "grew despite concrete" symbolizes Esperanza´s resilience to persevere notwithstanding the impediments imposed by her being poor.
Explanation:
The question refers to the section Four Skinny Trees from the book “The House on Mango Street,” by Sandra Cisneros.
There, the four trees found in her front yard symbolize Esperanza´s experience of feeling like an outsider and wanting to reach out for something else.
In May 1883, the 13 <span>year old Mohandas was married to 14-year-old Kasturbai Makhanji Kapadia in an arranged child marriage, according to the custom of the region at that time. In the process, he lost a year at school.</span>
Answer:
Because his future started to change?
Explanation:
There are a lot of answers to this question depending on
the given choices to choose from. So next time please be kind enough to include
the choices. I can give you three possible answers for this question, now it
all depends on you to choose which one of these three are in the choices:
Select 1:
1. Readers are forced to consider the possible monstrous
actions inside of themselves, like hatred or prejudice.
2. The monster challenges readers to recognize that a
monster could be an ordinary person, not just an outcast.
3. Readers must consider that monsters live among them, maybe
in their own town.
We can actually see that the commonality in the three
choices tells us that the monster does not really refer to the monsters
depicted in fiction. However, monsters could be just ordinary person, it could
even perhaps refer to us. What makes us a monster is our personality, not our
appearance.
<span> </span>
