I'm going to go with A.
Poetry provides a detailed expression of thoughts by different authors that really makes you think. It's usually not written explicitly, so you really get to learn more about ourselves and the world around us by reading poetry.
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Sonnet 19 is one of the more than a hundred sonnets published by William Shakespeare in 1609.
It is considered a typical Shakespearean or English sonnet because of:
-The use of three quatrains (a stanza or poem consisting of four lines) followed by a couple (two successive lines that rhyme and have the same metre). Here is an example of a rhyming couple from Sonnet 18
<em>So long as men can breathe or eyes can see,
</em>
<em>So long lives this and this gives life to thee.</em>
-It follows the typical rhyme scheme: abab, cdcd, efef, gg
-The widespread use of iambic pentameter based on five pairs of metrically weak/strong syllabic positions. For example, "<em>But I forbid thee one more heinous crime"</em> (19.8).
Mark Twain wants to add religious overtones (b)
Because St. Bernard is a dog but has a slightly religious name and a Presbyterian is a dog but also a British church.
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Answer:The poets of the next generation shared their predecessors’ passion for liberty (now set in a new perspective by the Napoleonic Wars) and were in a position to learn from their experiments. Percy Bysshe Shelley in particular was deeply interested in politics, coming early under the spell of the anarchist views of William Godwin, whose Enquiry Concerning Political Justice had appeared in 1793. Shelley’s revolutionary ardour caused him to claim in his critical essay “A Defence of Poetry” (1821, published 1840) that “the most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry,” and that poets are “the unacknowledged legislators of the world.” This fervour burns throughout the early Queen Mab (1813), the long Laon and Cythna (retitled The Revolt of Islam, 1818), and the lyrical drama Prometheus Unbound (1820). Shelley saw himself at once as poet and prophet, as the fine “Ode to the West
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