Answer:
<u>Question 1</u>
There is a sharp sign in the key signature (between the clef and the time signature), signifying that all the Fs in the piece should be sharpened (raised by one semitone).
In bar 2 there is the addition of a natural sign in front of the F and a flat sign in front of the B of the chord in the top stave. The natural sign signifies that the F should be played as an F (cancelling the F# of the key-signature) and the flat signifies that the B should be played as a B flat (lowering the B by one semitone).
<u>Question 2</u>
A quarter note has a <u>closed note head</u> and a <u>stem</u> (it is not connected to any other note)
Quarter notes:
Bar 1: 1 (top stave)
Bar 2: 1 (top stave)
Bar 3: 1 (top stave)
Bar 4: 8 (4 in the top stave and 4 in the bottom stave)
Total quarter notes: 11
Answer:
Traditional opera and Aria
Answer:
False
Explanation:
<u>Implied lines are not physically drawn, and they are not seen as the lines. </u>Their existence is suggested by other featured – other lines, shadows, colors, textures, etc.
For example, we can have the implied line as the edge of the drawn object. That would mean we see the object it’s color, values, shadows, and volume, but we don’t see the actual line that surrounds it and shows us it’s edges. Yet <u>we perfectly know where the edges of the object are because of other features, so our eyes and brains can distinguish where the end of the thing is and “finish” it for us</u>. <u>Eye and brain connect the elements and create the edge or the implied line which does not actually exist.</u>
Answer:
music changed over time and it was used in storeis party and many moer
Explanation:
Answer:
false
Explanation:
The Elizabethan period in England is what comprises the reign of Queen Elizabeth I (1558-1603), considered the golden age of English history. It is the height of the renaissance in that country, with the greatest highlights for literature and poetry.
During the sixteenth century, composers became increasingly interested in writing music for instruments - not just dances, but pieces meant to be simply played and played. The instruments were divided into two large groups: the bas ("low" or "soft") instruments, intended for home music, and the haut ("loud"), to be played in churches, large halls or in the open. A few belonged to both categories. Certain instruments, such as charamels, flutes, and some types of medieval bugles, remained popular; others have been modified and perfected; and many were invented: Lute, Violas, Cromorne, Cervelato, Sacabuxa, Trumpet and Percussion Instruments.
The Elizabethans designated a group of instruments playing together by consort (meaning word similar to "covenant"). When the instruments were from the same family, there was a whole consort, and when they were from different families, a broken consort, since the uniformity of the sounds was "broken".
