Around 1611, tells the story of power struggles on an almost deserted island. Prospero, the exiled Duke of Milan, has enslaved the only native of the isle, Caliban, and he plans and eventually manages to regain his dukedom through use of magic. Several of the characters vie for power in parallel plots. The play was written at a time when England was establishing itself as a colonial power along with other European empires such as Spain, Portugal, and France. The Tempest certainly deals with issues of colonialism in a topical way, especially through the character of Caliban, by alluding to physical and social otherness and financial incentives of colonialism. However, the ambiguous geographical setting together with Caliban’s sympathetic traits and his unresolved status at the end of the play invite the audience to question the legitimacy of power rather than endorsing or criticizing colonialism per se.
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<span><span>The
best and most correct answer among the choices provided by the question is </span>
D. A recorded interview with John F. Kennedy on
the day he was elected president</span>
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</span><span>Hope my answer would be a great help for you. </span> </span>
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Wrote about a dancer because she has duende
Macbeth says these lines after he hears the witches' prophecies. He's basically trying to figure out what to do with that information, and in particular he's trying to figure out if it's good or evil. He's all like, "If witches are evil, then why are they telling me such good news?" (They told him he'll be king one day.)
The best answer therefore seems to be D. These are witches, who are presumed to be evil, but they've given him good news and one of their prophecies has already been proven true ("commencing with a truth").
B is also a good answer, but it's less directly supported by these lines, since Macbeth isn't directly addressing the danger of the witches' darkness.
