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OLEGan [10]
3 years ago
10

Phyllis's brother is encouraging his son to enjoy a variety of different ethnic foods. He tempts his son by pretending to spoon-

feed himself and smacking his lips each time it touches his lip. Phyllis's nephew watches, fascinated. A year later, Phyllis visits and sees her young nephew enjoying a plate of spicy octopus. Her brother may have been successful because his son observed someone else's positive expressions and reactions to the food. This is known as _____.
Social Studies
2 answers:
Montano1993 [528]3 years ago
7 0

Answer:

social referencing

Explanation:

Social referencing is one of the most effective ways infants learn about their world. It involves infants learning from the affective displays of the people in their environment and using these clues to gain insights about environmental objects, people and situations. This is exemplified above where the child believes the food is nice after having seen the positive expression from the uncle

iragen [17]3 years ago
3 0

Answer: Social referencing

Explanation: The concept of learning or emulating people especially adults within the environment by infants could be regarded as social referencing. Infants often try to reproduce actions they watch their elders, guardians or parents perform. The concept of social referencing could involves how infants apply what they've seen their parents do to respond or react to similar situations or occurrences within their environment. The positive expression or reaction exhibited by Phyllis's brother encouraged the consumption of the delicacy by the infant. A negative expression might have had a negative impact and hindered the infant's desire to consume the food.

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In addition to the event’s glamour and celebrity, the Academy Award season is an opportune time to consider something else about the film/video industry—its value to the U.S. economy, and to a few states in particular.

According to the latest figures from the Arts and Cultural Production Satellite Account (ACPSA), which is produced jointly by the U.S. Bureau of Economic Analysis and the National Endowment for the Arts, the film and video industry contributed $100 billion to U.S. GDP in 2015, and it employed 390,000 workers. Although the U.S. consistently runs trade deficits, movies/TV shows generate trade surpluses—$11.9 billion in 2015. The full figures for all ACPSA industries will be released this Tuesday, March 6th.

The 2015 figures also reveal a number of interesting facts about the film and video industry (i.e., business establishments that produce and distribute movies and TV shows; movie theaters, cinemas, and film festivals; and companies that provide post-production services such as film restoration):

1) The industry is huge. Film/video production is the third-largest of all ACPSA industries—in 2015, it accounted for 13 percent of all value added by U.S. arts and culture to GDP, ranking just behind arts-related broadcasting and government-produced arts and cultural commodities. The film industry places fourth in ACPSA employment, following arts-related broadcasting, government arts/culture, and the arts retail trade industry.

2) Film/video production is concentrated in California and New York, but also in Louisiana—the only state that approaches the other two by this measure.

The March 2018 release of the ACPSA is the first to include “value-added” figures by industry for each state and the District of Columbia. In California, the film and video industry contributed $49.1 billion to the state’s economy in 2015; in New York, it contributed $28.2 billion.

Value added to Louisiana by the state’s film/video industry was $2.7 billion. At first glance, the figure appears relatively small. As a share of the state’s overall economy, however, it is twice the national average.

Only California and New York show film and video production occupying a larger share of gross state product: in each state, the industry’s value-added is 3.5 times greater than the national index.

3) Six states have witnessed double-digit growth in film and video production. Between 2012 and 2015, value added (unadjusted for inflation) by the film and video industry grew by more than 11 percent in six states: South Carolina (20.1 percent); Connecticut (16.2 percent); Georgia (15.3 percent); Mississippi (13.6 percent); Rhode Island (12.7 percent); and Louisiana (11.7 percent).

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Over the three-year period, real value added by other information services grew by an average annual rate of 21 percent—the strongest growth rate, by far, of all ACPSA industries. The popularity of web-streaming services for TV and movies (both in the production and consumption of content) may be eroding the industry’s contribution to GDP.

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