<span>Read the passage and write a one-paragraph response of at least three to five sentences.
A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man's hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners-two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as "support," that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest-a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground-a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators-a single company of infantry in line, at "parade rest," the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieutenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right.
Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
What has probably happened before this passage begins? Be sure to support your response with at least two examples from the text.</span>
1. Formal Language
2. Definition
3. Informal
4. Word Choice
5. Context Clues
6. Context
7. Literal Meaning
8. Diction
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Answer:
Moonlight Sonata is one of Beethoven’s most loved compositions. It has three movements, each of which makes use of a unique pattern of articulation and dynamics devices.
Adagio Sostenuto, the first movement, is in C#-minor. Adagio is Italian for “at ease,” and in music, it implies a slow and stately pace. The beginning of the first movement is homophonic and is a great example of the use of arpeggios in the chord structure. Dynamically, it is a soft piece, played in pianissimo (very soft). The loudest point of the movement is mezzo forte (moderately loud). The Adagio Sostenuto is calming, yet a bit ghostly.
Allegretto is the second movement of the Moonlight Sonata. In Italian, allegro means “cheerful,” and in music, allegretto implies a tempo close to allegro (or quick and bright speed). The second movement is in D-flat major. It is calming, but much less mournful than the first movement is. It uses more staccato, with full chordal accompaniment as arpeggios. The Allegretto is in piano and uses sforzandos, which lend it a cheerful effect.
Presto Agitato, the third and last movement, is in C#-minor and is the most important movement of the sonata. Presto means “extremely fast” in Italian, while agitato means “agitated.” The Presto Agitato is a turbulent piece. It seems lively and involves the use of many arpeggios and accented notes. I heard the use of sforzandos and fortissimo in this movement. It is played extremely fast and makes clever use of dynamic contrast (alternating loud and soft segments).
Overall, I found the Moonlight Sonata to be a beautifully haunting and relaxing composition.
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This is the exact answer for all you <em>plato / edmentum</em> users
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c or recognizing your emotions without judgment
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Make sure to add the worksheet or document with the question so we can asnwer it properly!
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