Answer:
A. 6X+12 and 7X+36
B. X+24
C. Dimensions are 36 feet × 78 feet and 50 feet × 94 feet
Explanation:
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Answer: In the first paragraph, the narraraor seeks to establish his credibility, as if he expects the reader to believe that his especially acute sense of hearing makes him more believable than an ordinary observer. The narrarator purports that his calm, detailed account will be accepted as truthful, despite some irrational decisions and actions. The narrarator's attention to detail clues the reader to "expect the unexpected" in terms of details the narrator's heightened senses reveal.
In the third paragraph, the narrator reveals that he has, in fact, killed the old man. We are hearing the account of a murderer rationalizing his actions, as if this is what anyone with his keen perception and ability to carry out this elelaborate scheme would have done. The reader realizes that this narrator is crazy, but we are still listening, but we can intrpret his intentions as absolutely irrational. Speaking corageously to the man by day, sneaking stealthily into his bedroom by night.
The fourth paragraph confirms the reader's suspicions that the narator is beyond belief: feeling the extent of his own powers. And even when he thinks the old man may have heard him, he persists in his incredibly slow, deliberate intention to intrude into the man's bedroom-- hoping to see what he has defined as Evil Eye-- as if the narrator has a duty to eliminate something that vexes only him. Our impression must be that this narrator can't escape the consequences of his actions.
Answer: Khattam-Shud shows Haroun on the ship that each story in the Ocean requires its own type of poison to properly ruin it, and suggests how one can ruin different types of stories. Iff mutters that to ruin an Ocean of Stories, you add a Khattam-Shud. The Cultmaster continues that each story has an anti-story that cancels the original story out, which he mixes on the ship and pours into the ocean. Haroun, stunned, asks why Khattam-Shud hates stories so much, and says that stories are fun. Khattam Shud replies that the world isn't for fun, it's for controlling. He continues that in each story there is a world he cannot control, which is why he must kill them.
Explanation:
Iff here simplifies Khattam-Shud's explanation, as all that's needed to really end a story is to say it's over. However, Khattam-Shud is working to not just end stories by simply saying they're over, but to make them unappealing to audiences, which will then insure that they won't be told, Silence Laws or not. Think about the ancient stories around the Wellspring; they exist as an example of what happens when stories are deemed boring and not useful.
