E<u>ssay on diginity of labour </u>
We humans need to work somewhere in order to survive or fulfil the basic needs of food, clothes and shelter. In India, the population of labour is very high as they are available at very cheap rate as compared to other countries. They work so hard to earn their living but still, they face so many problems in work as they are paid very less.
Their demand is very high but still don't get that much respect in any nation and are always exploited. They are far away from many of the facilities. Their dignity is always a question mark. It is very important for everyone to realise their value as they are very helpful for us. They must be respected by everyone. In schools, colleges and in workplaces, a sense of dignity of the labours must be conveyed to all of the students / employees.
12/(3•-2)=12/1.5=-8 answer is -8
Remark
Let's begin with the theme. What is the theme of this passage, exactly? Four people -- five if you include Dr. Heidegger -- are sitting around a circle bemoaning the fact that they have lost something not granted to anyone. They have lost their second youth. They have swallowed some water which gave them their youth only for a fleeting moment (it seems to them), and they mourn the passage of time that grants them no more youth that they had been living in for some short period.
The four felt that way. Only Dr. Heidegger seemed to have learned something that told him that he should be careful what he wished for: he might actually get it.
We have two themes then. We have 4 who wished for their youth back and we have one who didn't want any part of it. I think we have to cover both.
The best detail for those wanting it is the old woman who apparently got her youth back and she was incredibly beautiful. Now her hands are skinny and likely wrinkled. She puts those hands to her face and wishes herself to be dead because she despises the fact that she is old (and likely all her friends are dead and she is condemned to a life of weariness. I speculate, but is certainly unhappy about the aging process). She mourns that it is over so quickly. They all do. That's sentence 3.
Only Dr. Heidegger seems to understand that they got something they should never have received in the first place. The yellow sentence beginning with "Well I bemoan it not, ... " reflects his point view as well as anything. That's sentence 5.
Stage directions in this excerpt from Act II, Scene 1 of Lorraine Hansberry's "A Raisin in the Sun" add to the reader's understanding of the characters by providing information about their personalities and ways of being.
From the directions we can infer that Beneatha is a woman that likes to impress and get the attention of people. She seems to be shallow and conceited. She parades in front of Ruth to show of her new dress make her jealous. She makes a big entrance so that we "can see her thoroughly robed in the costume Asagai brought".
She is arrogant and self-center and has little regard for other people and their lives. We can see this when she "promenades to the radio and, with an arrogant flourish, turns off the good loud blues that is playing". She calls Ruth's music junk, being completely rude and incosiderate.
Ruth, on the other hand, is portrayed as a working woman, since, at the beginning of the excerpt she is "ironing <em>again</em>".
She appears to be a woman easily impressed, due to her reaction upon seeing Beneath's new dress: "she puts down the iron in fascination".
She is also potraited as someone submissive that does not complain about being trated poorly. This can been seen with her reaction to Beneatha's insults to her music. She does not respond, she just "goes to the phonograph and puts on a record and turns and waits ceremoniously for the music to come".
