Answer:
In his essay "The Negro Artist and the Racial Mountain," poet Langston Hughes interprets the statement of a young African-American poet that, "I want to be a poet—not a Negro poet," to mean, "I want to write like a white poet"; this suggests he was really expressing a subconscious desire to be white. Hughes goes on to argue that this apparent aspiration to bourgeois gentility, as embodied by the dominant Caucasian society, and the psychological cost that adherence to its constraints on creative freedom implies, is terribly damaging to the quality of the creative work and to the spiritual integrity of any African American artist who would embrace it. And it only adds insult to injury that not only does white society pressure African American artists to conform to its standards, but his own people often share the same attitude: "Oh, be respectable, write about nice people, show how good we are, . . . "
Explanation:
Answer: He is very quick-witted and loves to play on words. He is a source of entertainment in the play with his clever use of language. He is also important as he serves as a foil to Romeo, that is to say he helps to highlight Romeo's character through the contrast to his own.
Explanation: Hope this helps!
Answer:
Liza made Bod "invisible" so that the men who were looking for him couldn't see him.
Explanation:
When Liza entered the storeroom and saw Bod who was trying to "fade away," she helped him.
Abanazer Bolger and Tom Hustings were going to come to get him at any moment to force him to take them to the place where he had found the brooch, and maybe they would even kill him.
Liza reminded Bod that she was a dead witch so she hid him from the sight of both men and as soon as they entered the storeroom, despite looking in Bod's direction, they couldn't see him.
That is the favor that Liza did for him.
Answer:
One of the most important periods in the development of medicine at all, especially medieval medicine, is the so-called "golden age of Arabic Medicine".
Explanation:
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