The answer is his friendship with Claude Monet.
Hope this helped <3
Answer:
Perceptual color
Explanation:
Since the purpose of creating this artificial environment was to explore the concept of color. Chromosaturation is an installation of three colored rooms, red, green and blue. These colors in a light spectrum are the ones that the cones in our eyes are sensitive to. A viewer that will enter one of these room would find himself in complete monochrome. These chromatic spaces alter the perception of its viewers because it disrupts the way our eyes perceive light. Our eyes and brain process in a way that they perceive a wide range of shades of light but monochromatic situation would troubles them. For instance, a room saturated with one color will basically cancel out the visual noise as a result a viewer in that room would perceive that the intensity of light has lost and appear much lighter in contrast of the other room which would look much saturated than the one he is standing in.
Answer:
Love earth
Explanation:
We all know trees don’t move or hug you, but this establishis that you should love the earth.
The Tower, by Robert Delaunay
The cubist artist Robert Delaunay was fascinated by the Eiffel Tower, and during his life he painted the famous French tower time and again, as you can see below:
Robert Delaunay
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
As the world’s tallest monument at the time, the Eiffel Tower was for Delaunay a symbol of both modernity and masculinity, and he depicted it time and again. He was among the first artists to focus on this Parisian landmark as a subject. Rather than represent the Eiffel Tower from one view, Delaunay’s drawing uses rhythmically placed lines and patterns to capture his experience of the tower from multiple perspectives.
The drawing is an example of Delaunay’s engagement with the dynamic architecture of Paris at the turn of the 20th century. The Eiffel Tower was just one of the exciting public projects undertaken during an era that would later be described as the Belle Époque (French for “beautiful era”). In comparison to the horrors of World War I that would follow it, the Belle Époque was a time of peace, invention, and intense art production for France and its neighbors.
