Answer:
I believe the answer is b
Explanation:
The correct answer to this open question is the following.
Thomas Rowlandson's portrayal of eighteenth-century society was different from Lemonnier's in the following way.
French artist Anicet-Charles Limmonier depicts the scene of aristocratic people at the Mari Rodette Geoffrin's saloon. These aristocratic people are paying attention to the lecture of famous Enlightenment thinker Voltaire. The painting is very colorful and we can see the elegant apparel of the aristocrats.
On the other hand, the portrayal of the famous British cartoonist Thomas Rowlandson's portraits middle-class people in a totally different environment: a middle-class Caffe, in Salisbury Marketplace. The environment is more relaxed, and patrons are reading newspapers and having light conversations.
In the times of the Enlightenment, people used to meet at coffee shops or saloons to talk about the issues of the time.
Few people doubted his legitimacy. Legitimacy in this issue isn't characterized by the mainstream vote, vote tallies, our outrage or individuals quibbling about how the procedure turned out badly. It's characterized by a legitimate procedure that — regardless of the possibility that we contend about regardless of whether the Supreme Court settled on the morally remedy choice—was lawful and inside their domain. He promised of office, the Congress and Executive branch perceived that and hence he was the true blue POTUS. Suppositions on this issue are as unessential as sentiments on the presence of gravity.
Du Bois believed social change could be accomplished only through agitation and protest, and he promoted this view in his writing and in his organizing work. He was a pioneering advocate of black nationalism and Pan-Africanism, and he urged his readers to see “Beauty in Black.”
Hope that helps
