A scene can mean two things. A scene can be the setting of a story, or (what I think you are referring to) it can be a segment of an Act of a play. A scene separation within a play is usually included in order to allow time for a change in setting during the performance. A chapter is a segment of a book. So, to summarize, a scene is a segment of a play and a chapter is a segment of a book.
Answer:
The meaning of life, or the answer to the question: "What is the meaning of life?", pertains to the significance of living or existence in general. ... Scientific contributions focus primarily on describing related empirical facts about the universe, exploring the context and parameters concerning the "how" of life.
Essentially the meaning of live is "Freedom from suffering" Which happened when we pass on. But as we all know the real meaning is
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Bartok was inspired by Stravinsky’s work to put a more traditional and often Baroque forms in pieces of his “middle period” such as Cantata Profana and Music for Strings, Percussion, and Celesta. <span>Stravinsky’s influence waned after the rise of postwar serialism. Messiaen used techniques that were clearly Stravinsky-like, though, such as melodic fragments of different metrical lengths repeating themselves and intersecting in different ways.</span>
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Early cave art shows that people had advanced knowledge of the night sky within the last ice age. Hopefully this helps!
Answer:
Foi uma nova arte.
Explanation:
Em seu manifesto O Nascimento da Sexta Arte, publicado em 1911, o teórico do cinema italiano Ricciotto Canudo argumentou que o cinema era uma nova arte, "uma conciliação soberba dos Ritmos do Espaço (os Artes Plásticos) e dos Ritmos do Tempo (Música e Poesia). ", uma síntese das cinco artes antigas: arquitetura, escultura, pintura, música e poesia (cf. Hegel's Lectures on Aesthetics).
Canudo mais tarde acrescentou a dança como um sexto precursor, uma terceira arte rítmica com música e poesia, tornando o cinema a sétima arte. Em Paris, fundou uma revista de vanguarda La Gazette des sept arts em 1920, e um clube de cinema, o CASA (Club des amis du septième art), em 1921. Seu ensaio mais conhecido Réflexions sur le septième art ("Reflexões sobre a sétima arte ") foi publicada em 1923 após vários rascunhos anteriores, todos publicados na Itália ou na França.
