Answer: Woodcut
Explanation: Printers used woodcuts to print illustrations by the relief process.
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
Answer:
the man is describing about an art work
in an art work there is a man showing, describing or organizing an art work
Answer:
The period of the 3rd, the 2nd, and the 1st millennia bce was a time of drastic change in Europe. This has traditionally been defined as the Metal Ages, which may be further divided into stages, of approximate dates as shown: the Bronze Age (2300–700 bce) and the Iron Age (700–1 bce), which followed a less distinctly defined Copper Age (c. 3200–2300 bce). At this time, societies in Europe began consciously to produce metals. Simultaneous with these technological innovations were changes in settlement organization, ritual life, and the interaction between the different societies in Europe. These developments and their remarkable reflections in the material culture make the period appear as a series of dramatic changes.
Explanation:
Aldrich Hitchcock was considered one of the best English director. He has a technique in getting people's attention through the visual effects of his films where some of it are optical effects and others are mechanical effects.The sound and visual techniques require less attention like his film entitled "Blackmail".
Aside from being a director, he is also a producer and he popularized McGuffin technique.
