The 1980s saw the emergence of dance music<span> and </span>new wave<span>. As </span>disco<span> fell out of fashion in the decade's early years,</span>[1]<span> genres such as </span>post-disco<span>, </span>Italo disco<span>, </span>Euro disco<span> and </span>dance-pop<span> became more popular. </span>Rock music<span> continued to enjoy a wide audience.</span>[2] Soft rock,[3]glam metal<span>, thrash metal, </span>shred guitar<span> characterized by heavy distortion, pinch harmonics and whammy bar abuse became very popular.</span>[4] Adult contemporary,[5] quiet storm,[6]<span> and </span>smooth jazz<span> gained popularity. </span>
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
Answer:
C
Explanation:
Parchment is a stiff material made from the prepared skin of an animal and used as a durable writing surface in ancient,and medieval times.
Answer:Laocoön and His Sons is a marble sculpture from the Hellenistic Period (323 BCE – 31 CE). Following its discovery in a Roman vineyard in 1506, it was placed in the Vatican, where it remains today.
In true Hellenistic fashion, Laocoön and His Sons showcases an interest in the realistic depiction of movement. In the action-packed scene, three figures frantically try to free themselves from the grasp of sinuous serpents. No matter how much they twist and turn, however, they remain entangled, culminating in a swirling mass of snakes and limbs.
Explanation: I think this is it
