Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
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I notice that Bilbo's journey home is a lot peaceful than the journey there. He thinks about the people he lost along the way and his home. He experiences a little bit of sadness because it is over but also some relief. He feels this way because he like the adventure and the thrills of it.
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Hope this helped read this book about a year ago.
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Born into slavery in Maryland, Harriet Tubman escaped to freedom in the North in 1849 to become the most famous "conductor" on the Underground Railroad. Tubman risked her life to lead hundreds of family members and other slaves from the plantation system to freedom on this elaborate secret network of safe houses.
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normally it would be "i missed the bus so i had to walk to school"
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