The answer is B. it's just a way to strengthen your argument by debunking the other side respectively.
Answer:
2nd paragraph
Explanation:
It is a person's thoughts and conscious reactions to events, perceived as a continuous flow
Edgar Allen Poe's validity and reliability on the Spanish Inquisition can be made clearly through the text in "The Pit and the Pendulum". The narrator is valid because his story relates to the history of the Spanish Inquisition but unreliable because of his mental state. The Koch Blog says, " During the reign of the Catholic Monarchs, several thousand new Christians were condemned..." The narrator in the story was judged, put through hell, and tortured enough that he just wanted to end his life. As John Calvin states, "The torture of a bad conscience is the hell of a living soul."
This question seems a little tricky because the answer is too obvious to be accepted without further discussion. However, I will try to explain in detail the validity of my answer.
If we say that a song transcends musical Genres, it is because the song has gone beyond the limitations of rhythm; such a song is too great to be framed into one specific musical category. Because that is what genres are, musical categories used to define music.
Having mentioned the former, one can no longer enclose such a song into one single genre, sometimes it could be considered a “fusion” if two well-defined musical genres are overtly present in the song.
But all in all, the answer to this question would be no, you can no define any longer a transcended song into either or one musical genre, at most you could call it a fusion.
The correct answer is <span>b. the repetition of a grammatical structure or arrangement of words.
This occurrence is also called a parallel construction or a parallel structure.</span>
