The correct answer is option C. There is a connection between the themes of the individual vs. society and tradition vs. change.
The text suggests that the speaker would not go against his traditions on normal circumstances, his traditions consisting on not putting their brothers in any danger - this suggests the risk of inciting a war with other groups -. The speaker finds the apparition of a white man to be a special circumstance, and struggles on whether to change the ways of his father by challenging this individual, finally opting for change. This evidences a connection between the elements of option C.
As for the rest of the options:
A. The speaker is most likely inciting a war by challenging the white man, rather than making peace.
B. Okonkwo is a character from the story <em>"Things Fall Apart" </em>by Chinua Achebe, from which the excerpt was taken. In the story, he is described as brave, violent, and struggling with change, but embracing it at a certain point. Given his nature, he is most likely to agree with the speech.
D. The speaker opts for fighting a single man, not for annihilating an entire race.
winter is cold and poetry ishardtodosogoodluck
Answer:
This message applies to our lives because the biggest critic and supporter of what we do should be ourselves. If we can look into the mirror at the beginning and end of each day and be able to look ourselves in the eyes and be happy and contrnt with what we do, who we are, and who we become each day then we have power.
We lose that power in our lives if we lose the ability to look at ourselves in the mirror and be proud of what we do, who we are, and who we become each day. If we don't have those then we are not making the righr decisions.
<span><span>A character is an imaginary person who takes part in the action of a play.</span><span>Drama tends to compress and simplify the personalities of characters, often relying on types to quickly sketch out and draw contrasts between them. </span>Unlike fiction, plays do not usually have narrators who can provide the reader or viewer with background information on characters. Consequently, the information we receive about them is limited to the dialogue they themselves speak.<span>The main character, or leading role, of a dramatic text is called the protagonist.</span><span>The antagonist is the counterpart or opponent of the protagonist.</span><span>In more traditional or popular dramatic texts, the protagonist may be called a hero or heroine, and the antagonist may be called the villain. </span><span>Dramatic texts also include minor characters or supporting roles. </span><span>Sometimes a supporting role can be said to be a foil, a character designed to bring out qualities in another character by contrast. </span>All the characters in a drama are interdependent and help to characterize each other.<span>Because of time constraints and the lack of narrators or room for exposition in dramatic texts, playwrights use shortcuts like stereotypes to convey character. Everyone involved, including the audience, consciously or unconsciously relies on stereotypes, or assumptions about various social roles, to understand characters. </span><span>In the United States today, casting—or typecasting—usually relies on an actor's social identity, from gender and race to occupation, region, age, and values. </span>Sometimes playwrights, directors, and actors overturn or modify expectations or conventions of characterization in order to surprise the audience.</span>
PLOT AND STRUCTURE
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