Answer:
If I were given the chance to interview any character of my choice I would interview Daisy from The Great Gatsby by F. Scott Fitzgerald. At the end of The Great Gatsby she lied and killed multiple people for her own selfishness and lies. I would ask her why she didn't confess to the murder of Myrtle Wilson because she was obviously guilty and letting others lie for her caused more problems as the story progressed. I would also ask her if she had ever loved Jay Gatsby or was only in live with the idea of him since after his death she felt no remorse. I would like to question her about her relations with Nick Carraway and if they were still close after the incident. Before ending the interview I would ask her one more question, was it all worth it? and if so how could she move on knowing what she did? The way she could just move on with her life without feeling guilt makes me think she could get away with anything if she pleases.
The correct answer is "Those boys"
Other options would give grammatically incorrect sentences according to the standardized English language versions.
Answer:
The theme of the poem ''Shopping Fatigue'' is
Explanation:
The USDA advises utilising cooked chicken that has been kept chilled (at 40°F or below) within three to four days. Bacterial growth is slowed but not stopped by refrigeration.
Using cooked leftovers within three to four days is advised by the USDA.
According to the USDA, chicken can be stored in the refrigerator for up to four days before needing to be thrown out. On day five, you should throw it away. Cooked chicken can keep for three to four days in the fridge and two to three months in the freezer, according to the USDA. After this time, eating cooked chicken can make you sick from foodborne disease since germs can still thrive even in the refrigerator. The USDA and U.S. Food and Drug Administration state that raw chicken, whether whole or in any other form, should not be consumed.
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The answer is A, because a play is the written portion and a production is the process of making the play real.
