Answer:
Many of the well known personalities from the first part of the Baroque period hail from Italy, including Monteverdi, Corelli, and Vivaldi. (By the mid- eighteenth century, our focus shifts to the German composers Bach and Handel.) Many of the forms identified with Baroque music originated in Italy, including the cantata, concerto, sonata, oratorio, and opera. Although Italy played a vital role in the development of these genres, new concepts of what it meant to be a nation increased the imperative of a “national style.” Differences between nations are often audible in music from the period, not only in the way music was composed, but also in conventions of performance; particularly obvious was the contrast between Italy and France
Explanation:
The answer is <span>Saint Mary Magdalene</span>
Answer:
the correct answer is option B.
La respuesta correcta para esta pregunta abierta es la siguiente.
A pesar de que no se anexan opciones o incisos para responder, podemos comentar lo siguiente.
Las influencias culturales en las expresiones artísticas nacionales se ven reflejadas por la presencia dominante de alguna expresión cultural externa que ha permeado en la sociedad, y transmite su tradición e historia en la cultura a la que está influyendo.
Por ejemplo, cuando los españoles conquistaron Mesoamérica y Sudamérica, trajeron consigo sus propias creencias y tradiciones que impusieron a los indígenas de América.
Hablamos de dos cosas principalmente. Les impusieron su idioma: el Español. Y les impusieron su religión: el Catolicismo.
Los españoles se dieron la terea de eliminar a los ídolos que veneraban los Indios. Afortunadamente, nunca los eliminaron del todo. Lo que sí lograron fue imponer su idioma. y con ello, una serie de costumbres, tradiciones y cultura que hoy en día es parte de los pueblos Latinoamericanos.
The positive and negative shapes in m. c. Escher's print sky and water I balance each other and are an example of<u> figure ground reversal.</u>
Sea and Sky The Dutch artist M. C. Escher's woodcut print I was initially published in June 1938. Birds and fish form a regular divide of the aircraft in this print.
The central, transitional area of both prints has the horizontal series of these components, which fit into one another like the parts of a jigsaw puzzle.
Birds and fish alternately serve as the foreground and background in this core layer, depending on whether the viewer's attention is drawn to light or dark parts.
In the upward direction, the birds become more three-dimensional, and in the downward direction, the fish. However, the fish and birds eventually lose their shapes as they go upward and below, respectively.
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