Both during and after the painting session the artist can re-visit all aspects of balance, texture, space, form, color, line, and movement, to judge if they have a pleasing composition.
This check list will eventually become second nature to the artist but will be well worth the effort if learned and understood for their meanings and practical applications.Paul Cezanne was correct when he said that harmony occurs when the artist has established important working relationships between all the elements of art and design. Sometimes one may feel uneasy about a painting, not realizing what is missing or what is perhaps wrong. The answer is usually in the design aspects of the composition or the way the color management is handled and is not harmonious or pleasing to the artist’s eye. To correct this the artist can go through their check-list. ‘Balance, texture, space, form, color, line, and movement”.
The answer is "false". He was the son of a wealthy Florentine notary and a peasant woman.
Leonardo da Vinci was a Florentine artist, one of the colossal bosses of the High Renaissance, celebrated as a painter, stone carver, modeler, specialist, and researcher. His significant love of information and research was the keynote of the two his masterful and logical undertakings. His advancements in the field of painting impacted the course of Italian workmanship for over a century after his passing, and his logical investigations - especially in the fields of life systems, optics, and water power - foreseen a considerable lot of the improvements of present day science.
Leonardo was born on April 15, 1452, in the residential community of Vinci, close Florence, in Tuscany. He was the child of an affluent Florentine public notary and a peasant woman.
The answer is flickering streetlights or light through a window. Film noir is based on mood of pessimism, fatalism, and menace. It is also originally applied on American thriller films and detective films. So, flickering street lights or light through a window explains that the best.
