It was in the 19th century , they were small,thin, but visible brush strokes
It depends but if you're asking for my opinion, then I will believe with those people who thought that it indicates the body is from the apostle Peter because it's based on my religious belief. The archaeologist can be true, so it just depends on your beliefs.
Explanation:
Amazing beautiful so so beautiful
The choices are the below, that can be found elsewhere
A) Sesshu
B) Unkei
C)Utamaro
<span>D) Shini
</span>
The answer is Unkei. Unkei <span>was a </span>Japanese sculptor<span> of the </span>Kei school<span>, which flourished in the </span>Kamakura period<span>. He specialized in statues of the </span>Buddha<span> and other important Buddhist figures.</span>
Answer:
The Wheel. The wheel is often regarded as the invention that paved the way for all other innovations created throughout history. ...
2 – The Compass. ...
3 – Printing Press. ...
4 – The Telephone. ...
5 – Steam Engine. ...
6 – Antibiotics. ...
7 – The Automobile. ...
8 – Electricity.
Explanation:
If something has been highlighted in the recent film innovation it has been, without a doubt, the works of animation. And ...The history of film is full of advances that have changed the seventh art ever since, both in the way it is produced and in the way in which the public has enjoyed it. From the first Lumière brothers projections to modern computer-generated graphic films, the industry has not stopped innovating to make better films. These have been some of the advances in technology that have revolutionized the history of film.
1. THE LUMIÈRE BROTHERS
The beginning of the seventh art cannot be understood without the contribution of the Lumière brothers. These pioneers, inventors of the cinematograph, recreated the illusion of movement. Their goal was no other than deceiving our eyes. According to the journalist Yolima Andrea Díaz, the film and its advances in technology date back to representations such as the mid-sixteenth century “camera obscura”, the seventeenth century “magic lantern” or Étienne-Jules Marey’s portable chronophotography. But the industry went far beyond those basic techniques that projected images in dark rooms, showed still transparent pictures or moved bands that displayed twelve images per second.
The Lumière brothers’ cinematograph was unveiled at a scientific conference held in March 1895, although its official presentation was on December 28 of that same year at the Grand Café Boulevard des Capucines in Paris. In this French corner, and as a surprise to the audience, they projected the arrival of a train at the Ciotat station. The seventh art was officially born.
