Answer:
Struggle that takes place within a Character's Mind
to inform readers by describing the river and cities on the route
the first sentence describes how travellers travel along the Indian sea, and how merchants also take that river, with their merchandise. All of which, are to travel to India.
<span>In the poem God's Grandeur the phrase "nor can foot feel, being shod" means that humans are out of touch with nature. This is because the natural state displays God as the creator however the industrilization of the world and the idea of putting the economy first has made humans forget about their spiritual needs. In addition, it has made humans forget about the different amazing things that nature has to offer. </span>
For those of you have not opened the book once.
These are the questions that we got assigned all through the book with answers. They are in chronological order.
Towards the end of this study guide, I will put character analysis cards and any other info that I feel Mrs. Allen might ask us on the test for Book 1
Answer:
The origins of the Harlem Renaissance lie in the Great Migration of the early 20th century, when hundreds of thousands of black people migrated from the South into dense urban areas that offered relatively more economic opportunities and cultural capital. It was, in the words of editor, journalist, and critic Alain Locke, “a spiritual coming of age” for African American artists and thinkers, who seized upon their “first chances for group expression and self-determination.” Harlem Renaissance poets such as Langston Hughes, Claude McKay, and Georgia Douglas Johnson explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes.
Poetry from the Harlem Renaissance reflected a diversity of forms and subjects. Some poets, such as Claude McKay, used culturally European forms the sonnet was one melded with a radical message of resistance, as in “If We Must Die.” Others, including James Weldon Johnson and Langston Hughes, brought specifically black cultural creations into their work, infusing their poems with the rhythms of ragtime, jazz, and blues.
